Thursday, 8 August 2013

rewind the film once more

I wish I had never thrown away all my cassettes. It seemed such a great idea at the time. Amongst these C90's and C60's you would have found some interesting stuff. All lost, long decomposed, re-absorbed by nature in to mud and leaves. There was nothing more satisfying then getting a near-perfect recording off the radio. There was an art to making a playlist on a cassette. As much as we liked to pretend we made them for our friends, for me, they were nearly all for myself. But I can't afford to be too nostalgic about them. Tapes wore out. I wore them out fast. They broke easily. The horror of seeing all your music literally in tatters, trying to wind it all back in and ending up with music playing backwards. Actually, Coffee and TV by Blur sounds quite interesting backwards. Try it.

Wednesday, 7 August 2013

daft memories #2

I'm Charles, I grew up next door to you?

What makes that noise? The noise in Da Funk? Maybe it's a backwards guitar riff, or a wah pedal plugged in to something it shouldn't be. Either way it's electronic music that can't get any better. Daft Punk have always presented themselves so uniquely and memorably, from the video of Charles walking around Manhatten with his crutch and boombox, to the epic, animated Interstellar 5555 which was MADE for staying up late and watching in the early hours with your friends. Before the age of cover-cats on YouTube, I never knew if it was really possible to play the guitar solos from Aeurodynamic. Maybe they wrote a computer program? Maybe they play it slow and sped it up? Again, I almost didn't care because it just sounded awesome.

daft memories

There's always been a warm sentient presence in all of Daft Punk's music. That is, with the exception of the heavily automated loop-o-rama that was Human After All. The ironically titled album does have it's fairer moments, but they are fleeting when compared against Homework, Discovery and RAM. Time will tell if RAM will stand up against the formers, but the prospects are looking good to this Daft Punk fan. The new album is effortlessly lavish, the product of several years of hard work by the band. It's what you get when you acquire the best hardware and musicians money can buy, and collide them with the most creatively accessable electronic duo that money can't buy. You're more than likely sick of Get Lucky if you've been anywhere near a radio in the last three months. That's not their fault, and at first glance of the album there's no obvious next big hit. That is until you hear Instant Crush for the second time. The appearance of Julian Casablancas on a daft punk record makes so much sense it almost takes away the novelty of it. Up to the eyeballs in vocoders, Instant Crush is an instant ear worm, and a cool-as-fuck guitar solo does me no harm.

Monday, 13 May 2013

true love for radiohead

'True Love Waits' by Radiohead

there may be more savvy Radiohead friends out there who have got their mits on a studio version or alternate versions of 'True Love Waits', but most of us make do with the sweet but passionate performance on the live album 'I Might Be Wrong'. More of a Thom Yorke solo track, long before his solo material came out in The Eraser, it's built on an uncommon chord progression and ends on almighty climax as he thrashes his poor acoustic guitar in to submission. Thom's lyrics ring through painfully heartfelt and emotive. "I'll drown my beliefs....Just don't leave, don't leave.." Here, Radiohead takes the usual love-rejection song to a level of honest and believable bleakness, desparate raw emotions, the feeling of being helplessly at mercy to your own heart-strings, and having them thrashed in to submission too.

Sunday, 12 May 2013

Hey Man, Now You're Really Living by Eels

The strength in Eels material comes largely from E's lyrics. It's easy to reach a consensus that 'Susan's House' is genuinely eery and gets spookier the more you listen. You wash down the bitter pills of curmudgeon and hopelessness with gallons of dry, dark humour throughout the music. E is at his best on this track when handing out back-handed compliments to the outer world.' Do you know what it's like to fall on the floor/cry your guts out til you got no more/Hey man, now you're really living', if this song was an instrumental it would sound like the beggining of a kid's tv show, complete with smiling fluffy dinosaurs.



Saturday, 23 March 2013

99 songs, 99 reasons -

Ninety-nine songs that I love. Some with rhyme and reason, some with stories, and many serendipitous discoveries amounting to this collection of sounds that are inked in to my every day being.

In no particular order, like a giant impractically sized round-table. In instalments. You're welcome.

Something strange starts to happen about two minutes in to this song. You'll have to listen to it to find out. The track is one of the many highlights of what was sadly their last album; I am actually grateful it was their last, too many bands re-unite for the sake of mediocrity. I often find the counter-melody that in invades this song swimming around my head during waking moments through the night time. if you've never ventured past Doolittle, Trompe Le Monde is not a bad place to continue on to. I don't have a favourite pixies song; they all keep grappling for first place.





coming up next...

#2. - my name is jonas by Weezer
#3. - rebellion lies by Arcade Fire
#4. - festival by Sigur Ros
#5. - girlfriend in a coma by Smiths
#6. - revolution by Tracy Chapman
#7. - age of consent by New Order
#8. - two more years by Bloc Party
#9. - true love waits by Radiohead

Saturday, 24 November 2012

oh my ears

I've been listening to and discovering more music than ever recently, particularly since attending a Devin Townsend Project concert.

There's several worlds of music to be indulged by from Devin Townsend, my first encounter being the epic Ziltoid the Omniscient. Knowing nothing of his past in Strapping Young Lad, I really enjoyed the amazing scope and sheer heavey-ness of this album, and also the humour. It's not all this world-batteringly heavy though. The project's Ghost album feels reminiscent of Division Bell-era Pink Floyd, led much by acoustic virtiousity and soothing, lush soundscapes.

Else worthy of attention is the loud but accessable Epicloud.